Lancashire · 1988–1991
BLACKBURN LINEAGE
Real DJ sets from the Blackburn acid house scene and its Lancashire circuit — Manhattan Heights, Shelley's Laserdome, Shaboo, Hacketts, Thunderdome. Full tracklists, sourced and archived.
- Sets
- 11
- Tracks
- 298
- Artists
- 228
- Labels
- 0
House
11 setsChicago and Detroit imports, a piano and a four-to-the-floor heartbeat — the sound before the breakbeats arrived.
- 1989 · The Carleton, MorecambeDJ DuckyResident DJ Ducky at The Carleton, Morecambe — a mix of house, techno and hip-house from late 1989 to 1990. Source recording held locally.1 tracks
- 1990 · Shaboo, BlackpoolSashaFull-length two-hour video rip of Sasha at Shaboo, Blackpool 1990 — 65 tracks.65 tracks
- 1990 · Thunderdome, ManchesterJay WeardenJay Wearden at Thunderdome, Manchester, early 1990 — the Banshee period.16 tracks
- 1990 · Banshee, ManchesterJay WeardenJay Wearden's lost 1990 mix — house & Banshee period, track IDs recovered from timestamped comments. Timestamps preserved.18 tracks
- 1990-06 · Shaboo, BlackpoolSasha & Steve WilliamsSasha & Steve Williams at Shaboo, Blackpool, June 1990 — three sections transcribed from tracklistings.co.uk.41 tracks
- 1990-06-06 · Manhattan Heights, BlackburnSashaSasha at Manhattan Heights, Blackburn, 6 June 1990 — a full night transcribed from tape.35 tracks
- 1991-01-28 · Shelley's Laserdome, Stoke-on-TrentSashaSasha at Shelley's Laserdome, 28 January 1991.18 tracks
- 1991-02-04 · Shelley's Laserdome, Stoke-on-TrentSashaSasha at Shelley's Laserdome, 4 February 1991.15 tracks
- 1991-02-08 · Shelley's Laserdome, Stoke-on-TrentSashaSasha at Shelley's Laserdome, 8 February 1991.32 tracks
- 1991-03-08 · Shelley's Laserdome, Stoke-on-TrentSashaSasha at Shelley's Laserdome, 8 March 1991.29 tracks
- 1991-05 · Hacketts, BlackpoolNipperNipper at Hacketts, Blackpool, May 1991 — live house set with verified track sources.28 tracks
About this archive
Every set here has both a surviving recording and a documented tracklist, so it can be heard end to end. That constraint shapes the collection: it skews to the hardcore and jungle that were most heavily taped, and to the clubs whose recordings survive. Where a scene is thin here, it is because the tapes are — not because it mattered less.